The Drinker

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A self-taught sculptor, Arturo Martini, started developing a love for the plastic effects of clay from a very young age, as he worked in a ceramic factory. This later characterize all his subsequent production, and after a study stay in Paris, and his subsequent return to Italy, he approached the Novecento group and the magazine "Valori Plastici".The Drinker (Il bevitore), this sculptural piece, depicts a typically late-nineteenth-century subject with a style reminiscent of Carrà's mannequins, as well as the large and dilated figures of nineteenth-century poetry.

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